Well I’m back my darlings. Titter ye not. Did you think you could get rid of me that easily? No matter how cynical you get, it is just impossible to keep up. Besides, nothing is so perfectly amusing as a total change of ideas. I guess my editor Jocasta has become a bit of a muse in the way that her husband Matthew was when I was writing the book. And my muses never have an easy time. I magnify my muses. Clothe them in symbols and ideals, but in these ideals there is little of their real selves. My first muse was negative. Father. Do all normal people wish their loved ones were dead? Well, some times negativity don’t pull you through. So I took Marc Bolan. And the muses went from there. In my mind they go from foe to friend to foe faster than a bullet. “Do remember that I am on your side” Jocasta said when I got angry at being censored. “The bottom line for me is that I want your book to be a great success and I want to do everything I can to make that happen.”
Rage and opposition are key motivational factors for me. Despite my need for harmony and good feeling in all my relationships, there is something in me which needs conflict, challenge and a good fiery battle of wills in order to feel deeply and passionately attracted to someone. There is a kind of spark which is kindled in me only when I meet resistance or refusal to compromise in a woman as strong as I am, whom I know I cannot dominate; and equally, there is something in me which will try to dominate in any intimate relationship.
And of course, it is in my nature to push things. It is only by going too far will you get anywhere at all. I was fired from the Erotic Review. Then Fourth Estate. Then The Observer. What I need is conflict - from it my ideas are born. And so I fuel the battle myself in all kinds of subtle ways because combat always fires my desires. No doubt you would feign to be above the battle. But you’ve got to understand the battle - to feel it palpably, to smell the sulphur, to taste the blood. A man who could not be scorched, then drenched, and who saw no point in such extremes of experience, is missing out on life. It is necessary to have known strong passions in order to depict them.
There was one year I remember well. I lost my wealth, my health, my book, my looks, my column, my other column, my gallery, my salary, my hair, my despair, my teeth, my talent, my tailor. Did I mention my girlfriends? As a failure I was actually quite a success. But I was happy. It always nicer when people think you are a genius and everything you do is wonderful. But I’m sure that being on the other side is probably, ultimately, better for the artist. Opposition pushes you into new regions of your own soul, more than people telling you you’re great. So I am thankful for everybody who describes my work as trash. Thank you.
And now I have two women editors. Jocasta in England and Carrie in America and both interest me. Who are they? Do their lives divide between mad laughter and sobbing tears? People fascinate me whose qualities are opposed by a wholly contradictory set of qualities.
I have always imagined that Dandy will fling itself suicidally upon the market - which suits my nature. Clean my perspective remains deathlike, as it was on drugs. On junk. Off junk. I am essentially suicidal. I yearn for destruction to sit enthroned, for the landscape to come tumbling down, for the skies to be empurpled with vultures, the streets to run red with the blood of the dead, the earth to cover me and entomb me in its fall. I guess the girls don’t want this until we’ve sold a couple of books? “The apocalypse is coming, let’s look busy” I can imagine one of them saying.
And so I shall carry on with this writing. What else can I do? The fear of being silent has struck me dumb.
Besides, only great men change their minds, only the wise contradict themselves. Better to be flexible and float than to go to the bottom with your principles round your neck.
I have learnt that nothing that actually occurs is of the smallest importance. No siree. Nothing matters very much, and few things matter at all.
The odd problem about censorship is small fry really given that this time two years ago I was almost dead. And now? I am jaunty and murderous. I bob up irrepressibly from every disaster, as unkillable as hope. I am unkillable precisely because I am without hope. I have a beady eye for destructiveness and my pessimism is unwavering. And self destruction always has meaning. The fist shaken at Heaven! The defiance of the state! But in a Godless, pointless world, how could even death have any real meaning? I raised my fist and lightening struck it. Thank you J. xxx